The
American Dream as Process: Analysis of One Journey
Mark Olofson
University of Vermont
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"That dream of a land in which life
should be better and richer and fuller for every man, with opportunity for each
according to his ability or achievement."
- James Truslow Adams (Adams, 1931, p. 404)
The American dream, as presented
above, is a broad concept that describes a society where all individuals are
able to attain the most they can based upon their capabilities. The dream is
that of a true meritocracy, where the initial conditions of a person’s life are
not seen as being a help nor a hindrance to future success. In his book Ain’t No Makin’ It, Jay MacLeod (2009)
goes in search of this ideal and is left with a different understanding of the
state of affairs. Instead of limitless possibility, he finds that institutions
have ways of halting mobility based on class (p.
152). Individuals and groups can work
with or against the reproduction of their social class, but the mechanisms
cannot be ignored. The dialectic process between the structure and individual
leads to lesser opportunities and lowered aspirations (p. 255). But is there another way to frame
the American dream that might give us further insight into the definition of a
positive outcome for individuals? Instead of focusing on individual states,
attitudes, and conditions, this paper will instead consider the process of the
American, dreaming.
The focus on process over position
can be dated back to the work of Heraclitus, a position that has been summed up
on the popular assertion that one cannot step in the same river twice (Graham,
2011). The idea that process is a more
powerful descriptor than a static state is present in many different spheres. Writers
in diverse categories such as religion (Hartshorne,
1984)(Daly,
1985), feminism (Christ,
2003), and teaching (John,
2006) have taken this stance. When
applied to the American dream, the process of obtaining a richer and fuller
life becomes the focus. It is a process that is defined by striving, struggling,
and evolving. It is a process that takes place in the context of an
individual’s family, culture, and world. It is an experience that can be
rejected, endured, or embraced.
Due to its longitudinal
methodology, Macleod’s Ain’t No Making It
(2009) gives a view of the process of the changing interactions that
constitute the path of a dreaming American. Although it is not at the center of
the sociological analysis in the book, by comparing the position of a participant
in different time frames, the process of the dreaming American, and his understanding
of the process, can be illuminated. This paper will consider the path of
Frankie; how he changes, acts, reacts, progresses, and sees his own progress in
a few specific realms. The focus will be on Frankie’s evolving identification
with and perception of his family, his changing group membership, and his
relationships with leadership and power in order to hint at the processes that
make him perhaps the largest success story in the book, if one considers the
American dream to be the path and not the end point.
Frankie is a member of a
family that was held in some esteem in the underworld of his community (MacLeod, 2009, p. 26). The initial timeframe finds Frankie proud of his familial ties to the
prison world (p. 29) as well as proud of
his brothers’ history of racial violence (p. 37). Although his believes
that his brothers can help him secure employment (p. 68), he is also aware that
his surname can make finding an outside job more difficult (p. 74). By 1991, however,
although his family connections were able to land him a number of under the
table employment opportunities, Frankie acknowledges that he has “burned a lot
of those bridges now,” (p. 169). By 2006 his attitudes
towards the position of his family during his youth have changed; he now identifies
fear as dominating his youth. He also now believes that to outsiders he was
“just another O’Sullivan,” (p. 284). His relationship with
his family’s reputation moved from defiant pride through something for him to
overcome to a remnant from which he finally detaches. By the end of the book he
has drawn a defining line between himself and his brothers in order to gain
employment and move forward (p. 279).
In 1991, Frankie has
begun to set up a family of his own. His relationship with his girlfriend is
important, as he begins to incorporate his girlfriend into his identity. He
justifies an incident of violence by stating that “He bumped into my girl…Hey,
I was protecting myself,” (MacLeod, 2009, p. 185). At this time he was aware of his shifting priorities and his changing
identity, pointing out his transformation of character from simply being a
biological father to “being a decent dad,” (p. 195). His identity
continues to develop in this way, and by 2006 he proudly occupies the role of
working father, and has expanded the role farther to the persona of
“neighborhood dad,” (p. 282).
Frankie’s changing attitude
about his family demonstrates the presence of process in his life. All of the
different understandings and identities functioned as understood by him at the
time when they were held. When he was in his teens, his identification with the
reputation of his family did bring him a certain standing in his community, but
as a middle-aged father, his view of that time as dark and fearful allows him
to more deeply work for a better life for his own son. By only considering one
or the other view as authentic, true, or useful, the connection between the two
may be overlooked, but to do so would be to lose the continuity of his
character. Frankie’s process is reflected in his changing understandings, and
it is this process that shows us his familial aspect as a dreaming American,
where change must happen in order to make firm an initially shaky foundation.
The procession of
Frankie’s identity can also be seen in his shifting attitude towards and
membership in other, non-familial groups. As a teenager, Frankie sees the
negative nature of the Hallway Hangers, and believes that he could have a
positive future if not for his membership in the wrong group (MacLeod, 2009, p. 122). However, even though he recognizes the harm that his membership in the
Hallway Hangers is doing, he chooses to maintain his membership and identity as
part of the group.
His changing attitude
about the value of group membership in light of negative effects to his person
is seen in his willingness to change work groups. Although he identifies as a
worker (MacLeod, 2009, 283), he has allowed himself to leave work situations where he perceived the
group as being negative. He left one situation where the group’s behavior
threatened his sobriety (p. 168), and another where he
saw the gossip of coworkers as being destructive (p. 171). In 2006 he maintained
membership in his new road crew group, as well as his union, which he found to
be positive (p. 280).
Frankie’s ties to the
Clarendon Heights community are based on his family’s long history there (MacLeod, 2009, p. 52). He was unable to sever those ties when he moved away from the area, as
well as when he could see the negative impact of the group of people there who
facilitated his relapse into drugs (p. 176). However, instead of
leaving Clarendon Heights, or passively going along with the nature of the
community, he exited the drug-related portion of the community and responded to
his concern that the community was degrading by progressing into a role where
he now helps a self-sustaining community of tenants (p. 288). Progression in his
choice of group membership and his knowledge of the role that they play is
apparent, and speaks to his growing agency and optimism.
This growth of agency
and deeper understanding of direction can also be seen in the context of
Frankie’s progress related to leadership and positions of power. Although he
often rejected formal leadership roles, his process in this area can be discovered
by considering how his attitudes towards leadership are not a product from one
point in time, but rather as another part of an overall process.
Consider the difference
between Frankie’s interactions with people in places of unearned (as perceived
by Frankie) power at the three different stages. As a teenager, he had a
session with a school psychologist wherein he took an adversarial stance (MacLeod, 2009, p. 87). Farther along his process, the 1991 Frankie was presented with a
situation where a high school student being placed as his superior. Frankie
raised the concern with the owner of the company, only to discover the nepotistic
nature of the situation. He tried to make the situation work, but eventually
removed himself from the position (p. 170). At this stage, Frankie was also
uncomfortable when he was the beneficiary of an unearned position of power.
When he was given a management role over a cleaning crew, he was unable to
exist in the role and abandoned it (p. 246). In 2006, Frankie continues
to clash with management, but is able to remain in the situation and cope with
his initial aggressive thoughts by using the skills he developed in recovery (p. 280).
A constant thread for
Frankie is that of informal leadership, a role that we can see developing and
changing. In the first section of the book, Frankie is the acknowledged leader
of the Hallway Hangers (MacLeod, 2009, p. 26). This role, although widely recognized, is of an informal group. In 1991
he is preaching about the evils of drugs and alcohol in his community (p. 168). In this role he is
not leading by reinforcing the group’s status quo, but rather attempting to
lead them away from those things that he perceives as keeping his community
down. Although the role of informal leader remains, it has shifted. In 2006 he
has progressed farther, having taken an informal leadership role in that he
speaks out for people on his crew. Here, he is seeing the role of a leader as
standing up for individuals who may not be able to speak their own truth to
power (p. 280).
Frankie explains his
rejection of formal leadership roles in that he does not want the
responsibility (MacLeod, 2009, p. 287). What he goes on to explain is that in a formal role he would have to
make decisions about people as though they were stationary, based on their
current situation and way of being. This conflicts with Frankie’s understanding
of people as individuals going through their own processes. Throughout the
decades that are covered in Ain’t No Makin’ It, there are many examples of
Frankie’s understanding of life as changes instead of static states.
At the beginning of the
book, Frankie shows a solid understanding of the nature of the progression of
people in his surroundings. Talking about his brothers and others who
previously occupied his current space, he says “They fucking go; that group’s
gone. The next group came…Now it’s our turn. We’re here,” (MacLeod, 2009, p. 118). In this space, he is naming and understanding the presence of process.
He does not just hope that he does
not follow a downward trajectory; he confesses that he is trying not to (p. 71).
When the book returns
to Frankie in 1991, he has more to say about progression and its value. About
one job: “I was working hard, but it was also a learning process,” (MacLeod, 2009, p. 167). He understands that his motivations have changed (p. 261) and that his views on
opportunity have evolved from believing his situation was hopeless to seeing
real opportunity present (p. 260). He even names his
changing attitudes and presence in his family, from simply being a biological
father to now “being a decent dad,” (p. 195).
The portrait of Frankie
in 2006 shows us the American, dreaming. Although the analysts rank him as the
fourth most successful of the boys, if we consider the individual understanding
the struggle as the dream, Frankie has made it; he continues to push farther.
Not only has he progressed through a number of jobs, but he sees the nature and
necessity for this progression (MacLeod, 2009, p. 278); he is obtaining a skills so that he may progress even farther (p. 279). He is a member of his
community with which he identifies and has also helped to define. He has
gradually changed the interaction between his family and his personal identity
to where it now presides.
So, from where does
Frankie’s understanding of process and his role in it come? It is hard to determine
the foundation his initial long-view, but it is possible that given the
presence of a number of older brothers, he was able to get a snapshot of the
nature of progress simply by looking around his household. He could see a
number of similar people at different points on a similar trajectory. However,
this does not explain his ability to take agency in his own process.
Frankie’s participation
in Alcoholics Anonymous could possibly explain his perspective. AA stresses
many concepts with which Frankie identifies; the importance of community, family,
and informal leadership (Alcoholics Anonymous, 2001). AA also focuses on recovery as a process, one that is constant and
ongoing. In AA, it is the process that is at the center of the program, not the
outcome. Those that are working the twelve steps are meeting the goal of the
program. It is possible that Frankie internalized this notion of success,
leading to his deeper acknowledgement of process after the beginning of his
involvement with AA.
Through Frankie’s
story, the notion of progress, not simple reproduction, can be seen. His
attitudes and roles change, grow, and expand. They have roots that are static
but their routes are not predetermined. It is through focusing change, not just
initial conditions, that we are able to understand. The American dream itself
is a changing thing; for example, home ownership, a commonly cited marker of
having “made it,” is now less common among young people, even when presented
with pathways that make home ownership more easily attained (Fisher & Gervais, 2011). The American Dream, as stated, was a product of its own time, and
although culture has progressed, we still try to understand that time’s
American dream as applying. A reformation of the American dream could be
sought, but individual achievement of the dream would still be hindered by the
structural mechanisms described by MacLeod. It is difficult for a strong
criticism of these structures to be generated in the presence of any static
understanding of the American dream. They are, after all, helping people who
have achieved the stationary American dream remain in that state. However, when
we reframe the dream as a progression instead of a static state, we can see that
these structures that are out of alignment with that progression. They serve to
keep people in the same place, no matter their socio-economic level. This is
antithetical to the American dream as process.
Focusing on process
also allows us to value those that are achieving, instead of demeaning them for
what they have not yet achieved. When we decouple the process from the
perceived goal, we can identify mindsets that contribute to the positive
process (Carter, 2008). We are able to value
the individual that is working, instead of simply the individual who has the
markers of having achieved. As MacLeod shows, these markers can be nearly
impossible for many to obtain. The American dream, as it is framed, is not achievable
for most. But the dreaming American, as identified by their process, is a transformational
role that can be occupied by many. Acknowledging and valuing the process allows
for more to join, gives us reason to remove reproductive structures, and
benefits the greater society.
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